Syllabus
Methods of Teaching Dance
TERM: SPRING – 2026
Jan 12 – Apr 27
DAN 385 – F (6768) Methods of Teaching Dance (K-12).
Credit Hours: 3
Content: Teaching dance in a variety of settings including public schools
Requirements: Dance Minor.
Professor: Jorge Luis Morejón
Location: Wellness Center: Studio Multi B
Email: j.morejon@umiami.edu
Office Hours: Monday/Wednesday 11:20 - 12:20 pm
Meeting Days and Hours: Mondays and Wednesdays / 1:45 – 3:00 PM
Course Description and Purpose:
In DAN 385 – F, students will acquire theoretical and practical experience in methods of teaching dance in a variety of settings including public school’s grades K-12. It is preferable, but not essential, that students have previous training in some form of dance. Basic dance terminology and dance concepts that underlie all forms of dance will be covered during the semester. Reading assignments, written lesson plans and teaching demonstration will be used for evaluation of learning. This course is required for dance minors.
Overview of the course:
· Students will acquire the vocabulary of dance and use dance concepts creatively.
· Students will learn how to build lessons for dance for children at varying developmental levels.
· Students will learn to integrate dance concepts into content areas in curriculum.
· Students will learn how to structure a dance class and facilitate group interactions through dance.
Required text
· Creative Dance for Learning: The Kinesthetic Link by Brehm & McNett
Suggested Texts
Boufoy-Bastick, Beatrice. The International Handbook of Cultures of Teacher Education
Making Better Use of School Buildings. Organization for Economic Co-Operation and Development.
Optional texts – for serious students!
· Creative Dance for All Ages by Anne Green Gilbert
· First Steps in Teaching Creative Dance by Mary Joyce
· Brain Compatible Dance Education by Anne Green Gilbert
· Teaching Dance in Arts Education by Brenda Pugh McCutchen
Requirements, Assessment, and Evaluation Methods
Attendance Policy
· Class attendance is mandatory.
· All students receive 1 absence without a make-up requirement.
· Your grade is based on your attendance and participation in class. Attendance in this class counts for 30% of your grade. For each absence your attendance grade is lowered by 1/3 of a letter grade.
· Students with 5 or more absences for a 1 credit course will receive a failing grade. Students with 10 or more absences will receive a failing grade.
· Absences can be made up. A maximum of 3 absences may be made up.
· Attendance policy begins on the first day of classes. Classes missed due to late enrollment, Religious Holy Days, graduate school interviews and illness must be made up to earn credit for attendance and may exceed the make-up limit if granted by the professor.
· Tardiness will impact your grade. Students arriving more than 15 minutes late will not be allowed to participate and will receive 50% credit for observing the class.
· If you are injured and cannot participate you will receive 50% credit per day for observing the class. After two weeks you will need to drop the class. For injuries you must have a doctor’s excuse to sit out and release to return to activity.
Participation policy: You don’t have to be “perfect” but you do have to try all of the activities in class. You will be graded on your in-class projects. Make use of all of your time.
Assignments: You will be asked to prepare for this class with reading assignments so that you are able to develop and understanding of dance methodology. Assignments will take the form of creative projects, a lesson plan notebook, teaching demonstration, a 5 page paper.
Assignments
1. Flyer (10 %)
Design a flyer/brochure/power point about the importance of having a dance program in school. Include benefits of dance; how it enhances education; your philosophical view as a teacher; pictures/layout easy to read.
2. Dance Combination (10%)
Choreograph a dance 2-3 minutes; determine age group and select appropriate music and movement; use elements of dance; use expression, artistic and aesthetic quality
3. Teaching Demonstration (20%)
Demonstration of Teaching a Dance Class with groups of 3 or 4 students; this is an oral presentation; you will be leading the class; explain your element and your lesson clearly to guide the class; relate your dance lesson to a content area (theme); bring music and visuals if needed to support your presentation; length must be 10 minutes per person.
4. Self-Reflective Essay (10 %)
Essay: Find an article that relates to some aspect of teaching dance to children. Summarize and write your reflection on it.
Paper should be titled, double spaced, font size 12, font face/Times New Roman; Structure: introduction, body and conclusion.
5. Lesson Plan (10%)
This is an in-class series of assignments that you will complete as we progress during the semester. You will complete one Lesson Plan per element, using your creativity, a total of 4, and then one lesson plan before you teach you demonstration lesson based on the material we cover in chapter 11.
Method of instruction: This is an experiential class with specific activities that everyone must do. There will be lecture, some video, and weekly assigned readings.
Graded assignments will include:
· Attendance 30%
· Participation (Journal) - (about 30 entries reflecting class experience) 10%
· Flyer 10%
· Self-Reflective Essay (2 pages) on your growth throughout the semester: paragraph 1 – What you learned;
paragraph 2 – how you will apply it to your own field;
paragraph 3 – How you felt during the learning process. 10%
· Teaching a 30 min. lesson to your classmates with lesson plan. 20%
· Lesson plan portfolio 10%
Content: 3 Lesson Plans (LP)
[how to go about teaching the subject]
LP 1 (3 pts),
LP2 (3.5 pts),
LP3 (3.5pts)
· Vocabulary Quizzes 1 & 2 5 % Each
Tentative Class Schedule
TERM: SPRING – 2026
Jan 12 – Apr 27
This schedule may be revised depending on the progress needs of the class. Any changes in the syllabus will be announced in class.
|
Date |
Topic |
|
WEEK1 Monday Jan 12 |
Introductions. Introduction to the course |
|
Wednesday Jan 14 |
Sr. Kenneth Robinson (Video) Do Schools Kill Creativity? https://www.ted.com/talks/ken_robinson_says_schools_kill_creativity
THE SAFE CREATIVE CLASSROOM
The Report Tyler, Christopher W. Final Workshop Report: Art Creativity and Learning. National Science foundation, 2008. https://www.nsf.gov/sbe/slc/ACL_Report_Final.pdf
THE IDEAL STUDIO
|
|
WEEK 2 Monday Jan 19 |
Holiday / MLK Day |
|
Wednesday Jan 21 |
Rediscovering Your Dancing Child/ Benefits of Creative Dance
TEACHING PHILOSOPHY Breaking Ground – Adapting the Classroom (Organization for Economic Co-Operation and Development).
|
|
WEEK 3 Monday Jan 26 |
Principles of Dance as a Creative Art Activity
Dance as education of the self/ Kinesthetic Loop / Inner awareness/ Natural Movement
COACHING VS. TEACHING. VS. MENTORING |
|
Wednesday 28 Jan 28 |
Learning Theories: A Collage
CREATIVE DANCE APPROACH |
|
WEEK 4 Monday Feb 2 |
Development of Children / Ways children learn/ Multiple intelligence/ Brain Dance /Developmental patterns
TEACHING DEMONSTRATIONS |
|
Wednesday Feb 4 |
The Instrument of Dance
Body warm-up/dance techniques
A MINI-HISTORY OF DANCE |
|
WEEK 5 Monday Feb 9 |
The Instrument of Dance
Body warm-up/dance techniques
A MINI-HISTORY OF DANCE EDUCATION |
|
Wednesday Feb 11 |
The Force Element
Force/Imagery/Improvisation
FIRST LESSON PLAN |
|
WEEK 6 Monday Feb 16 |
Vocabulary / Mid-Term Quiz |
|
Wednesday Feb 18
|
Visit to the Lowe: Intro to VTS
HOW TO APPLY VTS TO DANCE TEACHING |
|
Midterm Reporting Begins |
|
|
WEEK 7 Monday Feb 23 |
The Force Element
Force/Imagery/Improvisation
-------------------------- The Time Element
Time/ steady beat/ tempo/ speed/pulse/rhythm/ African dance, ethnic dances tap/hip hop
CLASSROOM RULES AND REDIRECTING BEHAVIORS |
|
Wednesday Feb 25 |
African dance, ethnic dances tap/hip hop
FLYER: 7 WAYS OF PROMOTING YOUR DANCE CLASS |
|
WEEK 8 Monday Mar 2
|
The Space Element
Space/ levels/ pathways/direction/ Relationships in dance/folk dance work on choreography
ACTION PLAN |
|
Wednesday Mar 4 |
The Space Element
Space/ levels/ pathways/direction/ Relationships in dance/folk dance work on choreography
MOVEMENT QUALITIES AND MOVEMENT METAPHORS |
|
SPRING RECESS (Mar 7 – 15)
|
|
|
WEEK 9 Monday Mar 9
|
Spring Recess |
|
Wednesday Mar 11 |
Spring Recess |
|
WEEK 10 Monday Mar 16
|
UNIT PLAN: ELEMENTS OF DANCE
DANCE LESSONS: VARIOUS AGE GROUPS
Linking the Elements of Dance
Themes / translating ideas into movement/ books/art/science/social issue |
|
Wednesday Mar 18 |
The Lesson Planning Process Planning a dance session, conducting a lesson REVIEW FINAL QUIZ |
|
WEEK11 Monday Mar 23 |
Teaching Mini-Lesson 2 |
|
Wednesday Mar 25 |
Teaching Mini-Lesson 4 |
|
WEEK12 Monday Mar 30 |
Teaching Mini-Lesson 6 |
|
Wednesday Apr 1 |
Teaching Min-Lesson 8 |
|
WEEK13 Monday Apr 6 |
Teaching Mini-Lesson 10 |
|
Wednesday Apr 8 |
Teaching-Mini-Lesson 12 |
|
WEEK14 Monday Apr 13 |
Teaching Mini-Lesson 14 |
|
Wednesday Apr 15 |
Teaching Mini-Lesson 16 |
|
WEEK15 Monday Apr 20 |
Teaching Mini-Lesson 18 |
|
Wednesday Apr 22 |
19 Closing |
|
Apr 27 |
Reflective Essay Due Portfolio Due Pending Work Closing |
---------------------------------------------------------------------------------
RUBRIC:
Lesson Plan (5 pt.)
I. (1 pt.)
Title (.1)
Theme (.2)
Art Discipline (.2)
Grade Level (.3)
Teacher's Name (.1)
Volume (.1)
II. (3 pt.)
Date (.2 pt.)
OBJECTIVE & COMPONENT (1 pt.)
Standard (Competency) (.3 pt.)
Plan (Activity) (1 pt.)
Assessment (.3 pt.)
7. Homework (.2 pt.)
III. (1 pt.)
8. Cross-Curriculum Standards (.2 pt.)
9. Differentiation (.2 pt.)
10. Technology (.2 pt.)
11. Written Component (.2 pt.)
12. Careers Skills (2 pt.)
________________________________________________
RUBRIC:
Teaching Mini-Lesson
(15 pt. total)
1. Accurate Allocation of Time: Demonstrates good use of time by teaching within the agreed time frame. Accurate use of time (20 minutes) (2 pt.)
2. Professional Interactions: Demonstrates professionalism in interactions. Demonstrates a positive rapport with students. Proper classroom management (move around, make sure every one is on task, acknowledge proper behaviors). (1.5 pt.)
3. Verbal Communication: Speaks clearly and understandably (e.g. pronunciation, modulation, volume, articulation). Uses correct oral conventions (e.g. mechanics of the English language as well as subject specific terms and symbols). (1.5 pt.)
4. Non-Verbal Communication: Uses effective and appropriate non-verbal communication (e.g. eye contact, facial expressions, body language). Reads nonverbal communication and responds appropriately. (e.g. scans class to identify students who are not engaged. Appropriate lesson content for age group (lesson and language used must be accessible) (1.5 pt.)
5. Written Communication: Uses correct written conventions (e.g. mechanics of the English language, as well as subject specific terms and symbols). Writes clearly and understandably (e.g. appropriate size and script text, legible text, layout of board work, overhead, multimedia). Use of VAKT (video, recordings, manipulatives, visuals, hands-on activities) (1.5 pt.)
6. Use of the Arts in Instruction: Creative use of visual and/or performing arts to accomplish the objective by developing hands on activities the students would enjoy and appreciate. (Use of the Arts as medium of instruction) (2 pt.).
7. Organization of Content: Follows the order of the lesson plan by addressing each and every one of the items listed in the plan. (5 pt.)
a) Brain Storming (.5)
b) Video to grab attention or any other cool idea (.5)
c) Explain Activity (3)
Beginning
Middle
End
d) Provide enough time to complete task (.5)
(Time yourself)
e) Review (.5)
f) Assess (.5)
h) Provide feedback (.5)
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ATENTION
In the event that the University of Miami’s campus closes unexpectedly for an extended period of time due to a hurricane, pandemic, or other emergency situation that prevents this course from meeting in person, students should be prepared to continue their learning remotely through Blackboard and other platforms.
Students are expected to check their UM email account and course Blackboard sites regularly for communications with me and the rest of the class, and to the extent feasible, continue participating in their courses from their off-campus location by the alternate means determined by me in coordination and agreement with you.
In the event that no internet or electricity is available, a course pack will be provided to students to continue working on their own until communication is restored and/or campus life is back to normal.

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